Tuesday, 30 November 2010

Get Well Soon / Ben Sollee and Daniel Martin Moore @ The Relentless Garage, London. 29/11/10

Ben Sollee and Daniel Martin Moore make quite a refreshing change from your average self-absorbed acts. Here we have a live duo who have made an album, along with Jim James (or Yim Yames as he likes to be known these days) to raise awareness of Mountaintop Removal coal mining in their home state of Kentucky. Their sound is a pretty basic folk affair, but the rather original cello style of Ben gives the tunes the distinction needed to keep the attention of the crowd.

Get Well Soon, on the other hand, are big fans of the grandiose. From overly long song titles (they open with We Are Safe Inside While They Burn Down Our House) to some epic instrumentation – they hit us with the kind of dynamics and emotion that fans of Arcade Fire and The Dears are quite accustomed to. The set is a very much centred on the Vexations album, with just the odd nod back to their previous opus. Singer Konstantin Gropper keeps things running smoothly, with his backing ensemble swapping between a myriad of wood, brass and electrics. The 90 minute set seems to fly by and, after finishing with a blistering version of If My Hat Is Missing I Have Gone Hunting, then they are gone. We, however, are dumped back outside into sub-zero temperatures and tube strike hell.

Tuesday, 26 January 2010

Memory Tapes @ The Social, London. 19/1/10

My second show of 2010 is the 2nd ever for Memory Tapes. Despite having caused quite a buzz since the U.S. release of “Seek Magic”, it’s for the U.K. release that Dayve Hawk has finally unleashed his electronic pop project into the live arena. Not that you can really describe The Social as an arena, but it’s the perfect size for the minimal set up that Hawk and his drummer Matt Maraldo (from his previous band, “Hail Social”) require. Hawk takes care of vocals and guitar whilst a trusty macbook provides everything else that they need.

The set starts off quite tame, with a lot of the slower tracks from the album loaded towards the front. Things soon start to pick up though, and by the time they play “Bicycle” they have well and truly hit their stride. The vocals also start a bit wobbly, but improve as the show goes on. You are still left with the impression, though, that Dayve Hawk would much rather be anywhere else but under the spotlight. Just as things start to peak (both in confidence and energy), it’s all over. The band leave and let the Mac provide us with an outro. It may have only lasted a little over 30 minutes, but (for a 2nd ever show) it hinted towards an exciting future.